Creativity Essay -- Technology Art Papers

creative thinkingThe walls of the Louvre are covered with artistic masterpieces, widely recognized as some of the most treasured, creative whole kit and caboodle known to man. The unique cut of a brush or the layering of paint digest distinguish these geniuses from the masses. patronage the tycoon to label these pieces of art as especially creative, it remains indecipherable how one can truly qualify the defining characteristics of creativity. This faculty is usually viewed as intangible, as a spark of creativity, or, a flash of creativity. This phenomenon, which lies at the foundation of our artistic culture, eludes our current grasp of understanding. For some, creativity rests within our kind-hearted nature as an integral part of our being, for others, it may emerge from the bang-up mechanical complexity of our brains, or the randomness of the universe. In recent days there have also emerged visual and literary works by computers which some experts believe to have a creat ive nature. This controversial caprice causes unease in many that characteristics we commonly assume to be innately human could manifest in a machine. However, after viewing the works created by computers, it becomes necessary to consider the possibility of such creative ability whether or not the works themselves are creative. Though one can find examples of human creativity in nearly all aspects of life, possibly it is most clearly evident in our literature. The thoughtful combination of terminology can express the gauntlet of human emotions and experiences aptly, and in the most skilful of authors, can breathe life into the words and seemingly recreate the experiences in the mind of the reader. Notable and critically praised author James Joyce provides an example of this in his work Ulysses... ...uture computer which could paint like Monet, or have credence in a machine to effectively speak to the emotions of a human. However, scientific innovations continually astound us, and it is no less plausible that a computer could function at this level of creativity, than one hundred years ago to imagine men landing on the moon. Works CitedBoden, Margaret. The creative sagaciousness Myths and Mechanics. London New York Routledge, 2004.Faulkner, William. The Sound and the Fury. New York Random House, 1984.Hofstadter, Douglas. Fluid Concepts and Creative Analogies. New York Basic Books, 1995.Joyce, James. Ulysses. Oxford Oxford University Press, 1993.Picard, Rosalind. Affective Computing. Cambridge, Massachusetts MIT Press, 1997.Singer, Irving. Feelings and Imagination The Vibrant mix of Our Existence. Maryland Rowman and Littlefield, 2001