The Italian Retreat from Modern Architecture

The Italian Retr flow from Modern computer architecture fishgig Pont, Nonlinearity and others Italy is decentralized in Europe, south side ripping convert Interview Difficult position in the way they accept refugees, pressures Italy watch neer been absolute 1860- unified by man further no unified in region, approaches to life, culture and language vary great amounts amongst cities of Italy. 1959?Renee Bonham Nonlinearity, the Italian retreat from modern architecture Attacking individualistic current Italian architects that were trying to be dedicate in the way they real architecture, Just interested in themselves Guide Canella, a page from the condition on the Amsterdam School Renee Bonham, conclusion of his article in The Architectural examine Ernest Nathan Rogers, Continuity o crisis? (Continuity of crisis? ), Isabella, no. 1 5, April-May 1957 archean 20th century model of modern architecture, non an white clean architecture of railcar Bonham is English, cannot re alise how Italians perceived architecture, they did not involve it was something that could revolutionize or save the world. Nonlinearity the geek of architecture that was used in certain parts of Europe slightly he end of 19th century beginning of 20th super acid ground, trying to shift from 18th and 19th century architecture that was not interested in architecture as a machine and that direction Bonham is much more black and white, Isabella, no. 1 5, April-May 1957, capacity page with image of project in El Heaver by zest Eduardo Persist, Salad Della Aviators (Victory Room), VI Triennial, Milan, 1936 Adulterate Liberal, Case Maladapted, Capri island, Naples, 1938-40 Window Frames- full of matter Floor- not a functions type of modernist Window back of fireplace, sense of merging with the cheerfulness and the yellow orange lames of the fire. Onto born 1891-1979, generation of El Sorbs product of Italy TM most prominent architect that tried to understand bourgeois brilliance of discussion rather than getting to a point founder and film director of Dooms magazine director of Stile magazine spear Point, swain laureateship (In praise of Architecture), book, 1957, cut through page fishgig Pont, Laureateship e UN Cristal (Architecture is a crystal), (a publication that was published a bit earlier) Stile magazine, cover page Misaims Campaign, portrait of the Point family, painting ads for Richard Ignoring products, Dooms no. 1 GIG point, fizgig Pont, kitchen plates for Richard Ignoring, 1923-25 , Vase, ceramic ply Gig Pont, Hands, ceramic work House in via Rancid, Milan, 1924-26 point, Gig Point, House in via Rancid, Milan, 1924-26 point, sottish Boutique, Searches, 1925-26 El Couriers, Vile Stein, Searches, 1927 Comparison of two houses El Sorbs machine type of end Built same time but different eras Gig Pont, Vile Bouillon, Searches, 1925-26, view Gig Point, House in Via Domenici, Milan, 1928-30 Gig Pont, House in Via Domenici, Lantern on the rooftop Fillips Brucellosis, Lantern on top of dome, S. Maria del Floor, FlorenceGig Pont, Graphic and Textile figure of speech work Gig Point, Graphic and Textile design work Gig Point , Aria Italian magazine, cover page Gig Point, Dooms Serene, Via De Togging, Milan, 1933-36, facade Dooms Latin word for house Vs.. El sorbs towards a new architecture, you can see the inconsistency between the two Gig Point, Typical Houses Via De Togging, Milan Gig Point, Dooms Julia, Via De Togging, Milan, 1931-34, make it boards in houses were only everyowed to be so big in order to help deal with the demand for housing Point created the approximation of using a partition in the middle of a room to create two roomsItalians dont have second hand shops because they keep e realthing, would never see a garage sale etc.. Even stay in the same house windows that frame views Gig Pont, Marmot House, Milan, 1933-36 works with curtains, works with loads more things than Just the wall believed designing pi ece of furniture was part of the architecture , domestic help space, exhibition installation at the 6th Triennial, Milan, 1936 GIG point dinner party set, sass Gig Pont, dinner set and tablecloth, sass Gig Point, dinner set and tablecloth , Ferreira company, chairman office, Rome, 1936 Vendetta Furnishings, (an organized wall), Milan, 1938 Amour Belle, Table- container, prototype, Ghetto-Ambient Exhibition, Association J.Voodoo et Bruno Danes, Milan, 1994 Calvin, Merlin, Mayo, Window-screen, prototype, Ghetto-Ambient Exhibition, Milan, 1994 Calvin, Merlin, Mayo, Window-screen, prototype, Ghetto-Ambient Exhibition, Milan, 1994 Bruno Veering, moveable shelving system, prototype, Ghetto-Ambient Exhibition, Milan, 1994 Bruno Veering, movable shelving system, prototype, Ghetto-Ambient Exhibition, Milan, 1994 idea of having a single gene with multiple functionsGig Point, Bed, furniture design Marco Removable, Mart Laudanum, Nomadic Cardboard Panel, prototype, Ghetto- Ambient Exhibitio n, Milan, 1994 kinetic transitional Raisin tower, almost works as context itself Softness, reduce sense of mount accompanies organic roof point, Lamp, 1960 Ambient Exhibition, Milan, 1994 Antonio Astor, Intemperate (Internally) furniture system, Deride production, sass Joe Colombo, encase 1, day-and-night furniture facility, 1968 Joe Colombo, Square Plastic System, furniture system, 1969 idea of liberating passel from the kitchen Joe Colombo, Root-living, furniture design, 1969Joe Colombo , cabriolet-seed, 1969 , Multi-chat, 1970 , Mint-kitchen, 1963 Joe Colombo, Combo-center container, 1963 Joe Colombo, Tube-Chat, 1969 Joe Colombo, Visions exhibition, 1969 Gig Pont, Medication Building, Milan, interiors, 1935-38 Gig Point, Medication Building, Milan Gig Pont, Medication Building, Milan Gig Pont, Raisin tugboat, Milan, 1933-36, perspective drawing Gig Pont, Raisin Tower, Milan, 1933-36, photo with neoclassic Portal Venetian in the foreground Gig Pont, Raisin Tower, Milan, the tower and the commonality Gig Pont, Raisin Tower, Milan, rooftop GIG point, Rarest -rower, Milan, 1933-36Pitter Dieresis, Tower Building, Berlin, 1986 Pitter Dieresis, Tower Building, Berlin, 1986, plan + elevations, drawing Pitter Dieresis, Tower Building, Berlin, view from the path tower view at night, looked like a painting Gig Pont, Raisin Tower, Milan, side overtake Pitter Dieresis, Tower Building, Berlin, view from the street Dieresis tower wants to be a mediator between the pathway and Gig Point, Scenes and costumes design for Stravinsky Applicable, Triennial Theatre, Milan, 1940 Gig Point, glass bottles and cups, design for Venin Company, 1946-49 Gig Pont, La Paving coffee machine, Milan, 1948Gig Pont, Andrea Dorian ship, interiors, 1948-52 POINT WAS READY TO DECORATE D&8240CORE, this was not supported by modernism In production, building offices, he becomes very rigorous Rigor in Milan, people dress elegant but all the same Rome things change, they are much more began w ith colors, eat outside Linking back to how there is a large cultural difference in each city e etc. Dulcimer store, Milan, interiors with surrealist objects, late ass, early ass , Casino, San Remote, interiors and furniture, 1950 Gig Pont, Casino, San Remote, interiors and furniture , Staccato Apartment, interior and furniture, 1950Gig Point (with piper Fornicates), Interior exhibition, 9th Triennial, Milan, 1951 Gig Point (with bagpiper Fornicates), Lucian Apartment, interiors and decorations, 1951 Gig Point (with Piper Fornicates), Lucian Apartment, early (and decorated) version of Supercharger chair, 1951 Gig Pont, his feature architectural office, Milan, 1952 Gig Pont, his own architectural office, interiors Milan, 1952 Eduardo Persist, Marcello Nozzle, Salad Me tumbleval door (Gold Medals Room), Italian Aeronautics Exhibition, 1934 Gig Point, Mate laureateship (In praise of Architecture), book, 1957, cover Point is very good with sensibility of spaceGig Point, Supercharger c hair, 1957 past chair supercharger, super light chair, can be lifted with pinky figure very famous, incorporate everyday objects vernacular design, beautiful but clumsy Guide Canella, furniture design, prototype, Nevi founding per IL nomadic Italians (New Design for Italian Furniture) Exhibition, 1960 Roberto Gigabit &038 Mario Sisal, furniture design, prototype, Nevi Design per IL Mobile Italians Exhibition, 1960 Aledo Rossi, Table, prototype, Nevi Design per IL Mobile Italians Exhibition, 1960 Josef Hoffmann, Stole Building, Brussels, 1905 Rossi looks at structures that are much more linearHoffmann, type of recession that marks the buildings, much more conceptual Age Ailment, Rocking chair, prototype, Nevi Design per IL Mobile Italians Exhibition, 1960 Age Ailment, Bookshelf, prototype, Nevi Design per IL Mobile Italians Exhibition, 1960 Vitriol Garrotter, armchair, prototype, Nevi Design per IL Mobile Italians Exhibition, 1960 Umber Rival, deckchair, prototype, Nevi Design per IL Mobile Italians Exhibition, 1960 all furniture about putting more rather than less sympathetic posture curved Achilles Castigation, Splurge Brad Pub-Bar-Restaurant, Milan 1960 Achilles Castigation, Splurge Brad Pub-Bar-Restaurant, Milan 1960 Achilles Castigation, San Luck armchair, prototype sense of mean, directionless lamps (named after the restaurant) total linear, rather than Just repeating the same element Marco Suzann, Lady, armchair, 1950 Franco Albania, Margarita, Malice bamboo-cane armchair, 1950 Gig Point, Continuum, cane-chair, Poinciana production, 1963 Gig Point, Novella, armchair, C&038B production, 1968 Gig Point, Villa Plainchant, Caracas, Venezuela, 1955 closed volumes, moments of surprises materiality with layers, bringing layers to modernism Gig Pont, Point apartment, Via Daze, Milan, 1957, interiors knowing his own house, colorful tiles. Decorations very Joyful Gig Pont, Furnished window for an exhibition in New York, 1953 interested in discussing con-f usion, to be one, softness to differ areas of space decorated elements that duplicate themselves in mirrors around.Gig Point, Hotel Parch die Principia, Rome, 1964, interiors Gig Pont, Hotel Parch die Principia, Rome, 1964, interiors Gig Point, Hotel Parch die Principia, Rome, 1964, fade (detail) Gig Pont, project for an Italian Embassy building, early sass, drawings interested in pictorial mass architectural form to a natural form and bench vise versa not particularly interested in function Gig Pont, strong fixtures set, Ideal Standard, 1953, drawings with notes Gig Pont, well fixtures set, Ideal Standard, 1953, washbasin Gig Pont, sanitary fixtures set, Ideal Standard, 1953, toilet Gig Pont, sanitary fixtures set, Ideal Standard, 1953, toilet and more set components Gig Point, steel flatware, Italian Group, 9th Triennial, Milan, 1951, sketches and notes Gig Point, steel flatware, Italian Group, 9th Triennial, Milan, 1951 Idea of redesigning a fork Gig Point, vases, Sebastian production, 1956